Michael Snyder is a journalist, editor, broadcaster, educator, screenwriter, and animation developer who splits his time between Los Angeles and San Francisco. After leaving his longtime position as entertainment critic/nightlife columnist for the San Francisco Chronicle to co-develop the Cinemachine movie-review search engine for Sonicnet/MTV Interactive, he moved from a terrestrial radio gig at KITS-FM to join the on-air team at Sirius/XM Satellite Radio’s Sirius/XM Left channel where he reviewed new films and covered pop-culture on “The Alex Bennett Program” every Friday morning. He subsequently returned to terrestrial radio as a critic and pundit on Pacifica Radio/KPFK’s “David Feldman Show,” which is syndicated in various American markets and can be downloaded as a podcast from iTunes. Michael is also the host, writer, and producer of “Michael Snyder’s Culture Blast,” a weekly online show covering the best in cinema, television, pop music, comedy, comic books, and web content.
On the print front, he is the film reviewer and columnist-at-large for the Marina Times in San Francisco and editor-in-chief and film columnist of Bon Voyage – an English-language family-travel magazine published in Brussels, Belgium for the European market. Currently consulting on film and TV projects in Hollywood, he was part of the creative team that developed the CW network’s cartoon series “Eon Kid” and has done television series development for WildBrain Animation, Wild Hare Studios, Storytime Pictures and Alligator Planet. He co-authored the scenario to the ballet “Lear” — featuring a score composed by former Police drummer Stewart Copeland — for the San Francisco Ballet. Michael also co-wrote songs for the legendary theatrical rock band the Tubes, including the top-40 hit “Tip of My Tongue” and the Halloween perennial “Attack of the 50-Foot Woman.” In addition, Michael was an editor for the ground-breaking online music publication Addicted to Noise; on-air commentator over CNET Radio; nightlife editor for San Francisco Focus magazine; and contributing writer for San Francisco magazine. Plus, he has written for such publications as Salon, GEO, High Times, Creem, and the British pop-music weekly New Musical Express.